![Marcus Kaiser](https://marcus-kaiser.de/wp-content/uploads/2022/03/marcus_kaiser_Wall_Views_Featured_Image-508x530.jpg)
In Kaiser’s work, the Wall is the ideological monument at which the images of the world collapse. As an ideology that becomes a monument, the Berlin Wall marks the border that inverts the image of the world into its opposite. In short, in Kaiser’s images of the Berlin Wall, the physically inverted image meets the image as philosophical and ideological inversion.
![](https://marcus-kaiser.de/wp-content/uploads/2022/03/Kindergartena-508x340.jpeg)
Rudiments of institutionally mediated art education on the one hand and ever new signs of free, often wild, destructive creativity on the other. Partly standing next to each other incoherently, unconnected, overlapping and complementing each other, these remnants of various youth cultural forms of expression evoke an aesthetic that can also be found in current trends of contemporary art. He associatively gives the individual pictures titles such as “Meeze”, “Hirschhorn”, “Majerus”, “Planet of the Apes”.